Some pictures from my setup, which hasn't changed that much in the last years. The Behringer indeed has become quite "scratchy", making a lot of noise on its own. I recently even received FM radio with it!
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Overview: a cheap 12 channel Behringer mixer, a Waldorf filter, a Sherman filter, a Bellari tube compressor, a Zoom guitar effect. NEW: Alesis AirFX
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The mixer is in a state of short-circuit, outputs are fed into inputs. This generates feedback which can be manipulated by EQs i.e. The mixer behaves like an instrument.
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A small and cheap dictaphone generates weird noise, voices and scratching sounds.
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The two Technics turntables give the main input of looped rhythm sounds. I prefer cheap techno records, but any other record goes as well.
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The screws are the top "secret weapon". They fix the stylus so it keeps in one groove all the time, generating fascinating loops out of random material.
With this technique I have transformed the turntable into a sampler with instant access to every sound piece on the disc. It's much more versatile than a digital sampler: no scrolling through menues to find the right sound any more.
Stefan Beck scratching at UPLINK Factory, Tokyo Shibuya, 2002.
- Tokyo Live Sound
Other:
- Perfect Scratch I
- Perfect Scratch II
- Tot 1 (from Noise 76)
- soz.soundeins01 (sozial.musik I)
- soz.soundeins02 (sozial.musik I)
The above is turntable generated with live electronics employed.
See noize-concept.
.,% /) $ &-#'#??².²^,,-^ ~
Stefan Beck
Hohenstaufenstr.8
D-60327 Frankfurt
See also: noize concept
Franfurt noise scene
© Stefan Beck 2004 - 2008